51勛圖

Life Is A Cabaret

Dancers During Cabaret Rehearsal
The dancers of the Kit Kat Klub surround the show妡s master of ceremonies, Joey Barrett 妡26 (center, dark jacket) in 51勛圖妡s October 2025 production of Cabaret. Dancers from left: Teagan Timtim 妡29, Arianna Inciarte 妡28, Madison Stevens 妡26, Addy Behring 妡29, Sho Dimaya 妡29 and Abby Handley 妡29. Photo by Thomas Lal.

 

Dan Murphy Directing Cabaret
Guest director Dan Murphy works with members of the orchestra for Pacific妡s October 2025 production of Cabaret. Murphy, the co-founder and managing director of Broadway Rose Theatre Company, provided a chance for cast and crew to learn from an experienced professional in local theatre from outside the Pacific community. Photo by Thomas Lal.

Less than two weeks ahead of opening night, the cast of 51勛圖s production of Cabaret sits attentively on the stage of the Tom Miles Theatre, locking in after their lunch break in the middle of an eight-hour Saturday rehearsal.

In the theaters front row, director Dan Murphy stands and reads from a notepad, delivering his notes on the run of act two that the company completed just ahead of lunch. The cast is thoughtful and attentive, but also quick to answer questions and offer suggestions on how they might mold their characters. 

Murphy welcomes the suggestions, engaging in short conversations about their thoughts before handing off to choreographer Liberty Dolence, who follows up with more notes on stage position, dance moves, and selling their characters to the audience.

The energy and the commitment of the cast and crew is clear. 

I think what I have enjoyed the most is that everyone wants to be here, said Murphy, who is the co-founder and managing director of Portlands . Nobody wants to be the weakest link.

Cabaret, the classic musical by John Kander and Fred Ebb, was staged at Pacifics Tom Miles Theatre in October 2025 as a collaboration between the universitys music and theatre departments. And the opportunity to learn from the plays professional production staff enhanced the experiential learning experience for Pacific students.

That professional team included Pacifics experienced faculty, including Distinguished University Professor of Theatre Ellen Margolis and Assistant Professor of Voice Anne McKee Reed, but was magnified by the presence of Murphy and Dolence, who has acted and choreographed for a number of the regions professional acting companies.

I think what we both bring is being able for students to learn from our example, Murphy said. There are times when we are on a break and they come over and start picking our brains. We start talking about theater from our personal experience. Having been there, hopefully were being an example of the expectation of professionals.

One of four productions on the Theatre Department schedule for the 2025-26 academic year, Cabaret is to music and theatre majors what an outside internship is to many other undergraduate students. Of the 16 members of Cabarets cast, 12 are music or theatre majors.

I love seeing the different directing and instructing styles, said Sydney Timm 27, a music education and vocal performance major who played the female lead of Sally Bowles. Its really nice to get a different feel for things. With Dan, and his background at Broadway Rose, I see his more manager-type directing that I sometimes get in community theatre.

Ive never been part of a program that has resident directors and it is fascinating to hear different takes, said Malcolm Armstrong 27, a music and theatre major who played the male lead of Cliff Bradshaw. Dan goes into it with a frame of what he wants to see, but theres always room to surprise him and change his mind.

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Joey Barrett 妡26
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Everything that goes into the energy is what were testing out here in our educational setting. So when people are ready...they will understand what that looks like in the professional world.

Joey Barrett 妡26

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Margolis said that working with guest artists, such as Murphy and Dolence, enhances the learning experience that Pacific provides to its students.

My colleagues and I are all established professionals who love teaching, and I believe we do a good job training and educating our students, Margolis said. But Pacific is a small place, and by bringing in guest artists virtually every semester, were encouraging our students to be adaptable and resilient in their practices as they respond to the guests different vocabularies, approaches and styles.

Joey Barrett 26, an applied theatre major who played the clubs master of ceremonies, said that Cabaret is reshaping his thoughts about his senior capstone, which involves writing a one-act play.

Everyone I have worked with has inspired me to be like, Oh, I wish I could cast you in this role because this is how I think you would deliver this part, Barrett said. I get stuck in the pit of writing, but then I see people come up on stage and I think, I never would have thought to do that. So it inspires me to put that work or those flavors in my stew.

Sydney Timm 妡27
Sydney Timm 妡27 performs as Sally Bowles in Pacific妡s October 2025 production of Cabaret. Photo by Thomas Lal.

With notes finished, the actors take their places to rehearse Sallys first-act entry into the Kit Kat Klub just before the characters signature number, Dont Tell Mama. The clubs dancers practice lifting Timm from the floor, all the while taking direction from Dolence on ways to perfect the entrance.

Its not just about perfecting the scene. Dolence said that moments that could be considered mistakes are actually opportunities to tell the story a different way, allowing the actors to contribute more to their characters development.

There are so many beautiful, happy accidents where I think I know exactly how I want something to look and be, and then one of the actors will be doing something silly and shaking their hips, and its even funnier, she said.

The casts ability to adapt and to try new things has impressed Murphy. Coming out of high school, not being near mom and dad, they are less inhibited, which is nice, he said. I think theyre more willing to look ridiculous with no consequence. I think I could say, Lets try this scene again, standing on your head, spitting nickels, and they will try it. So thats always fun, and I think they are comfortable.

Timm said that the opportunity to adapt and try new things improved the quality of the experience. They let us futz around with stuff and do what we think is going to fit in there, she said. The choreography for Dont Tell Mama was guidelines, then I got to mess around and put some of my own stuff in. It was really fun.

Cabaret Rehearal Inside Tom Miles Theatre
Dan Murphy (far right) provides notes on a scene during a rehearsal of 51勛圖妡s October 2025 production of Cabaret. Photo by Thomas Lal.

One of the lessons Murphy hoped to impart on the Cabaret cast was time management, especially with the shows rehearsal window limited to just six weeks. He quickly learned that his professional actors could learn a lesson from Pacifics busy students.

I dont have these guys on Wednesday because they play in the orchestra, and I dont have those girls on Tuesday because theyre on the spirit squad. So thats been interesting to navigate, Murphy said. With students having to balance work and school and homework, and then come here to rehearsal, its going to set them up for success because so few people really make their full-time living doing theatre.

Barrett appreciates the educational lessons that Murphys professional expectations have set for the show.

Everything that goes into the energy is what were testing out here in our educational setting, Barrett said. So when people are ready, if they choose, to pursue performance or stage managing or tech, they will understand what that looks like in the professional world. And Im grateful to Dan for providing that.

The ultimate goal for Murphy and Dolence, outside of developing a great musical, is to create an experience that makes their cast and crew excited about the magic of the theatre.

I would like them to go and feel like, Wow, when is the next time I get to do this? Murphy said. I am hoping that they will turn around and look forward to the next time they can do that.

Dolence looks forward to seeing how the cast and crew grow as a result of Cabaret and working with them in other productions.

Im really excited to see if any of them stay in the area so that when theyre my age, we can collaborate in a professional setting, Dolence said. That would be really something remarkable and cool for us to be able to say, Oh, we knew them way back then.

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